Robert Greenberg – Concert Masterworks

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Robert Greenberg – Concert Masterworks

Concert Masterworks
Gain a new level of listening sophistication as you learn to open your ears to a composer’s creative intentions.

LECTURE

01:Mozart-Piano Concerto No. 25 in C Major, I
In Lectures 1-8, Professor Robert Greenberg discusses Mozart’s Piano Concerto no. 25 in C Major, written in 1786; and Beethoven’s Piano Concerto no. 5 in E-flat Major, op. 73, of 1809: the Emperor Concerto….
48 min

02:Mozart-Piano Concerto No. 25 in C Major, II
In Lectures 1-8, Professor Robert Greenberg discusses Mozart’s Piano Concerto no. 25 in C Major, written in 1786; and Beethoven’s Piano Concerto no. 5 in E-flat Major, op. 73, of 1809: the Emperor Concerto….

48 min

03:Mozart-Piano Concerto No. 25 in C Major, III
In Lectures 1-8, Professor Robert Greenberg discusses Mozart’s Piano Concerto no. 25 in C Major, written in 1786; and Beethoven’s Piano Concerto no. 5 in E-flat Major, op. 73, of 1809: the Emperor Concerto….
46 min

04:Mozart-Piano Concerto No. 25 in C Major, IV
In Lectures 1-8, Professor Robert Greenberg discusses Mozart’s Piano Concerto no. 25 in C Major, written in 1786; and Beethoven’s Piano Concerto no. 5 in E-flat Major, op. 73, of 1809: the Emperor Concerto….
47 min

05:Beethoven-Piano Concerto No. 5 in E-flat Major, I
In Lectures 1-8, Professor Robert Greenberg discusses Mozart’s Piano Concerto no. 25 in C Major, written in 1786; and Beethoven’s Piano Concerto no. 5 in E-flat Major, op. 73, of 1809: the Emperor Concerto….
47 min

06:Beethoven-Piano Concerto No. 5 in E-flat Major, II
In Lectures 1-8, Professor Robert Greenberg discusses Mozart’s Piano Concerto no. 25 in C Major, written in 1786; and Beethoven’s Piano Concerto no. 5 in E-flat Major, op. 73, of 1809: the Emperor Concerto….
47 min

07:Beethoven-Piano Concerto No. 5 in E-flat Major, III
In Lectures 1-8, Professor Robert Greenberg discusses Mozart’s Piano Concerto no. 25 in C Major, written in 1786; and Beethoven’s Piano Concerto no. 5 in E-flat Major, op. 73, of 1809: the Emperor Concerto….
46 min

08:Beethoven-Piano Concerto No. 5 in E-flat Major, IV
In Lectures 1-8, Professor Robert Greenberg discusses Mozart’s Piano Concerto no. 25 in C Major, written in 1786; and Beethoven’s Piano Concerto no. 5 in E-flat Major, op. 73, of 1809: the Emperor Concerto….
47 min

09:Dvorak-Symphony No. 9 in E Minor, I
In Lectures 9-16, the featured works are Antonin Dvorak’s Symphony no. 9 in E Minor, op. 95, the New World Symphony, of 1893; and Richard Strauss’s Death and Transfiguration, written in 1889….
44 min

10:Dvorak-Symphony No. 9 in E Minor, II
In Lectures 9-16, the featured works are Antonin Dvorak’s Symphony no. 9 in E Minor, op. 95, the New World Symphony, of 1893; and Richard Strauss’s Death and Transfiguration, written in 1889….
48 min

11:Dvorak-Symphony No. 9 in E Minor, III
In Lectures 9-16, the featured works are Antonin Dvorak’s Symphony no. 9 in E Minor, op. 95, the New World Symphony, of 1893; and Richard Strauss’s Death and Transfiguration, written in 1889….
46 min

12:Dvorak-Symphony No. 9 in E Minor, IV
In Lectures 9-16, the featured works are Antonin Dvorak’s Symphony no. 9 in E Minor, op. 95, the New World Symphony, of 1893; and Richard Strauss’s Death and Transfiguration, written in 1889….
47 min

13:Strauss-Death and Transfiguration, I
In Lectures 9-16, the featured works are Antonin Dvorak’s Symphony no. 9 in E Minor, op. 95, the New World Symphony, of 1893; and Richard Strauss’s Death and Transfiguration, written in 1889….
47 min

14:Strauss-Death and Transfiguration, II
In Lectures 9-16, the featured works are Antonin Dvorak’s Symphony no. 9 in E Minor, op. 95, the New World Symphony, of 1893; and Richard Strauss’s Death and Transfiguration, written in 1889….
47 min

15:Strauss-Death and Transfiguration, III
In Lectures 9-16, the featured works are Antonin Dvorak’s Symphony no. 9 in E Minor, op. 95, the New World Symphony, of 1893; and Richard Strauss’s Death and Transfiguration, written in 1889….
46 min

16:Strauss-Death and Transfiguration, IV
In Lectures 9-16, the featured works are Antonin Dvorak’s Symphony no. 9 in E Minor, op. 95, the New World Symphony, of 1893; and Richard Strauss’s Death and Transfiguration, written in 1889….
47 min

17:Beethoven-Violin Concerto in D Major, I
In Lectures 17-24 the two masterworks described are Beethoven’s Violin Concerto in D Major, op. 61, of 1806; and Brahms’s Violin Concerto in D Major, op. 77, of 1878….
44 min

18:Beethoven-Violin Concerto in D Major, II
In Lectures 17-24 the two masterworks described are Beethoven’s Violin Concerto in D Major, op. 61, of 1806; and Brahms’s Violin Concerto in D Major, op. 77, of 1878….
47 min

19:Beethoven-Violin Concerto in D Major, III
In Lectures 17-24 the two masterworks described are Beethoven’s Violin Concerto in D Major, op. 61, of 1806; and Brahms’s Violin Concerto in D Major, op. 77, of 1878….
47 min

20:Beethoven-Violin Concerto in D Major, IV
In Lectures 17-24 the two masterworks described are Beethoven’s Violin Concerto in D Major, op. 61, of 1806; and Brahms’s Violin Concerto in D Major, op. 77, of 1878….
47 min

21:Brahms-Violin Concerto in D Major, I
In Lectures 17-24 the two masterworks described are Beethoven’s Violin Concerto in D Major, op. 61, of 1806; and Brahms’s Violin Concerto in D Major, op. 77, of 1878….
46 min

22:Brahms-Violin Concerto in D Major, II
In Lectures 17-24 the two masterworks described are Beethoven’s Violin Concerto in D Major, op. 61, of 1806; and Brahms’s Violin Concerto in D Major, op. 77, of 1878.
46 min

23:Brahms-Violin Concerto in D Major, III
In Lectures 17-24 the two masterworks described are Beethoven’s Violin Concerto in D Major, op. 61, of 1806; and Brahms’s Violin Concerto in D Major, op. 77, of 1878….
47 min

24:Brahms-Violin Concerto in D Major, IV
In Lectures 17-24 the two masterworks described are Beethoven’s Violin Concerto in D Major, op. 61, of 1806; and Brahms’s Violin Concerto in D Major, op. 77, of 1878.
46 min

25:Mendelssohn-Incidental Music and Overture to A Midsummer Night’s Dream, I
In Lectures 25-32 you will learn about three masterworks: Medelssohn’s Incidental Music, op. 61 of 1842; his overture to A Midsummer Night’s Dream, op. 21, of 1826; and Franz Liszt’s Totentanz of 1849….
47 min

26:Mendelssohn-Incidental Music and Overture to A Midsummer Night’s Dream, II
In Lectures 25-32 you will learn about three masterworks: Medelssohn’s Incidental Music, op. 61 of 1842; his overture to A Midsummer Night’s Dream, op. 21, of 1826; and Franz Liszt’s Totentanz of 1849….
42 min

27:Mendelssohn-Incidental Music and Overture to A Midsummer Night’s Dream, III
In Lectures 25-32 you will learn about three masterworks: Medelssohn’s Incidental Music, op. 61 of 1842; his overture to A Midsummer Night’s Dream, op. 21, of 1826; and Franz Liszt’s Totentanz of 1849….
44 min

28:Mendelssohn-Incidental Music and Overture to A Midsummer Night’s Dream, IV
In Lectures 25-32 you will learn about three masterworks: Medelssohn’s Incidental Music, op. 61 of 1842; his overture to A Midsummer Night’s Dream, op. 21, of 1826; and Franz Liszt’s Totentanz of 1849….
44 min

29:Liszt-Totentanz, I
In Lectures 25-32 you will learn about three masterworks: Medelssohn’s Incidental Music, op. 61 of 1842; his overture to A Midsummer Night’s Dream, op. 21, of 1826; and Franz Liszt’s Totentanz of 1849.
47 min

30:Liszt-Totentanz, II
In Lectures 25-32 you will learn about three masterworks: Medelssohn’s Incidental Music, op. 61 of 1842; his overture to A Midsummer Night’s Dream, op. 21, of 1826; and Franz Liszt’s Totentanz of 1849….
46 min

31:Liszt-Totentanz, III
In Lectures 25-32 you will learn about three masterworks: Medelssohn’s Incidental Music, op. 61 of 1842; his overture to A Midsummer Night’s Dream, op. 21, of 1826; and Franz Liszt’s Totentanz of 1849….
45 min

32:Liszt-Totentanz, IV
In Lectures 25-32 you will learn about three masterworks: Medelssohn’s Incidental Music, op. 61 of 1842; his overture to A Midsummer Night’s Dream, op. 21, of 1826; and Franz Liszt’s Totentanz of 1849….
46 min

DETAILS

Overview

This course examines eight great concert masterworks by Mozart, Beethoven, Dvorak, Strauss, Brahms, Mendelssohn, and Liszt. You explore the life, times, personality, and stylistic assumptions of the composers and analyze each composition’s form, themes, thematic relationships, and expressive content. You will also discuss the impact on musical development of the Enlightenment aesthetic ideal, nationalism, Beethoven’s heroic style, the Romantic Era, and more. Many musical excerpts are included.

About
Robert Greenberg
For thousands of years cultures have celebrated themselves through their music. Let us always be willing and able to join that celebration by listening as carefully as we can to what, through music, we have to say to one another.

Dr. Robert Greenberg is Music Historian-in-Residence with San Francisco Performances. A graduate of Princeton University, Professor Greenberg holds a Ph.D. in Music Composition from the University of California, Berkeley. He has seen his compositions-which include more than 45 works for a wide variety of instrumental and vocal ensembles-performed all over the world, including New York, San Francisco, Chicago, Los Angeles, England, Ireland, Greece, Italy, and the Netherlands.

He has served on the faculties of the University of California, Berkeley; California State University, Hayward; and the San Francisco Conservatory of Music, and has lectured for some of the most prestigious musical and arts organizations in the United States, including the San Francisco Symphony, the Lincoln Center for the Performing Arts, the Van Cliburn Foundation, and the Chicago Symphony. For The Great Courses, he has recorded more than 500 lectures on a range of composers and classical music genres.

Professor Greenberg is a Steinway Artist. His many other honors include three Nicola de Lorenzo Composition Prizes and a Koussevitzky commission from the Library of Congress. He has been profiled in various major publications, including The Wall Street Journal; Inc. magazine; and the London Times.

REVIEWS

chuck88
Professor
I have taken around 40 of these courses. This guy has no peers. No multi-tasking during his lectures. You need to focus to keep up. He is the instructor you always hope for. Others are always good, but he is amazing. Fast paced, entertaining, and above all, educational.

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